Friday, March 21st, 2008

Resident Genius: Anthropologie’s Secret Weapon

Anthropologie Modern English

This weekend I’m trying desperately to see “Modern English,” an exhibition of emerging U.K. product designers and artists that’s currently on view at the Rockefeller Center Anthropologie store in NYC. (Which, if you’ve never been, has a really cool little gallery across from the entrance that showcases a rotating mix of experimental designs.) The roster includes quirky talents in a variety of media: Adele Thurstan’s beautifully oddball china, Lucy Merchant’s funky powder-coated recycled-steel chairs (which look like line drawings in 3D), and Lost & Found’s Union Jack pillows–plus works by Andrew Oliver, David Mitchell, Karen Ryan, Rebecca Edwards, and Susie Cowie. All are emerging talents, except for painter/illustrator/collage artist Kenneth Mahood, whose first solo show was in 1955 (!). Yes, everything is for sale. But unlike most of Anthro’s wares, these pieces are one-offs or limited editions, so get ‘em while you can.

The curator of this divine mishmash? Anthro’s in-house genius/head antiques buyer, Keith Johnson, of whom we are unapologetically huge fans. To see why, head to 50 Rockefeller Center. Or just check out the marvelously appointed home department of any Anthropologie location (or its website). Or just take my word for it that he has a fabulous eye for under-the-radar talent and and he’s nice, too! –Jen Renzi

Anthropologie Modern English plates

Anthropologie Modern English chair

Anthropologie Modern English plate

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